Sugar

Played by: Juan Pablo Gamboa 

Owner of the hacienda La Aurora and founder of the sugar mill of the same name. He is the father of Caridad and Santiago, children of his marriage to Matilde Vallecilla de Solaz, and father of Maximiliano, son of his relationship with the black woman Sixta Lucumí. He has no racial or social class prejudices and believes in the family as an important nucleus. From his point of view, infidelity does not conflict with affection and respect for his wife. He is a considerate and generous employer. 

Interpreted by: Indhira Serrano

Proud and attractive black maid at the service of Manuel María Solaz's estate, with whom she has a passionate romance from which her son Maximiliano emerges. When Matilde, the wife of her employer, finds out about the child's birth, Sixta is taken from her arms and she is forcibly banished. For this reason, in a gesture of pain and with the hope that her life will do her justice, Sixta curses Matilde and all of her offspring until what was separated by the Solaz unites again.

Interpreted by: Camila Porras 

She is a very beautiful and refined woman, daughter of Santiago Solaz and Ana Julia Becerra. She was raised by her aunt Caridad in an overprotection capsule with the secret purpose of preventing her from also being a victim of Sixta's curse. She adores and respects her grandfather Manuel María, she loves her father even though she knows that she can expect little from him. She is oblivious to class or race prejudices, she is very much in love with her cousin Ignacio of hers.

Played by: Jair Romero 

Son of the marriage of Maximiliano Solaz and Celia Mancilla. Grandson of Manuel María and Sixta. He knows the pain of his father's life and wants to do justice to Sixta and her descendants. He grew up under the care of his mother in dignified conditions and with the distant affection of his grandfather Manuel María. Since childhood she has had a very close bond with her cousin Mariana despite the obstacles that stand in their way and Caridad's efforts to separate them.

Interpreted by: María Fernanda Yepes 

Daughter of Manuel María and Matilde. Heiress of the hacienda and the sugar mill La Aurora, along with Santiago, Maximiliano and their descendants. From adolescence to old age, she is a woman with a strong and authoritarian character; she is distrustful, possessive and breathes bitterness. She is haunted by the ghost of her mother and blames her father for the misfortunes that befall the family because of Sixta's curse. She exerts great influence over Manuel María and Santiago.

Interpreted by: Oscar Borda

Humble, simple and reliable courtier from La Aurora. He is the trusted man of Manuel María Solaz, protector of Sixta, Maximiliano and Ignacio. He fears that the wrong actions of the Solaz are the true power of Sixta's curse. His loyalty is incorruptible. He respects Manuel María and is loyal without limits. He protects Sixta and is his friend under the same conditions that bind him to Manuel María. When Manuel María introduces him to Paisa, Lucio and the newcomer already know that they are enemies and remain so for the rest of their lives.

Interpreted by: Alejandra borrero 

Sister-in-law of Manuel María. She never married and is ruined for having lost every penny of the inheritance that her parents left her. She holds many resentments and bitterness. She envy the lives of her younger sisters, Matilde and Alejandrina. She feels a lot of resentment towards her brother-in-law because he is now the owner of the land that originally belonged to her family. Caridad sees her niece as her great rival and she uses Santiago as an instrument against the Solaz.

Interpreted by: John Alex Toro

Trusted employee of Manuel María Solaz. He has a superiority complex that leads him to mistreat workers and abuse women. He is arrogant, arrogant and has no scruples. He takes advantage of his status as a protected nephew of priest Pedro Nel to earn a place of preference in the Solaz family circle. He likes to snoop. He emboldens Alejandrina with the promise of a marriage that will never come.